The earliest dated picture with a landscape background is a study of a bull terrier-Bumper-A Bull Terrier (1745 Sir Edward Bacon Collection, Raveningham, Norfolk), in which many of the details are taken straight from Wynants. Gainsborough declared that his first love was landscape and began to learn the language of this art from the Dutch 17th-century landscapists, who by 1740 were becoming popular with English collectors his first landscapes were influenced by Jan Wynants. He early acquired some reputation as a portrait and landscape painter and made an adequate living. In Ipswich Gainsborough met his first biographer, Philip Thicknesse. Soon afterward he returned to Suffolk and settled in Ipswich in 1752 his daughters Mary and Margaret were born in 17, respectively. In 1746 in London he married Margaret Burr, the illegitimate daughter of the Duke of Beaufort. From him Gainsborough learned something of the French Rococo idiom, which had a considerable influence on the development of his style. He worked as an assistant to Hubert Gravelot, a French painter and engraver and an important figure in London art circles at the time. When he was 13, he persuaded his father to send him to London to study on the strength of his promise at landscape. Gainsborough was the youngest son of John Gainsborough, a maker of woolen goods. During his last years he also painted seascapes and idealized full-size pictures of rustics and country children. As he became famous and his sitters fashionable, he adopted a more formal manner that owed something to Anthony Van Dyck (The Blue Boy, c. Some of his early portraits show the sitters grouped in a landscape ( Mr. English portrait and landscape painter, the most versatile English painter of the 18th century.
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